Beauty on the Bay
Our relationship with Pederson is a two-way street. Sometimes he'll contact us in the early stages of design development; other times, he calls after the plans have been created. We return the favor by passing his name to watershape clients in need of a top-flight designer.
In either circumstance, the focus is always on clients' needs. In fact, successful collaborations between contractor and designer always begin with clients, no matter whose door they happen to knock on first. Very often, the process starts when a couple returns from a vacation on which they saw a great swimming pool or sat in a great spa. Sometimes all it takes is a picture in a magazine. However it progresses, the idea starts with the customer, moves to the designer and then goes to the contractor for implementation.
If the designs are complicated and/or exceptional, early and constant coordination between the builder and the architect is required to ensure that the plan is mechanically feasible and still captures the illusion the architect and clients are seeking. In the case of the first project illustrated here - a set of watershapes for a home high on a cliff overlooking Newport Beach's Back Bay - we were involved very early.
The home had been one of the models for its development, and the owners basically wanted to start with a clean slate out back. Pedersen had already drawn up some plans that reflected his usual care in considering their personalities - in this case with clean, crisp lines that harmonized with the colors and minimalist styling of the home's interior.
He also determined that they wanted to fill a very small space with lots of functionality - a lap pool, decorative water features, a barbecue and a spa with a cascade, all in a 35-by-50-foot space and none of its structures to interfere with the view of the bay and Newport Beach through a long glass wall.
As designed, the backyard was to include a 41-by-9-foot lap pool installed slightly above grade beneath the length of the view wall. The spa and associated hardscape at one end of the yard offered a set of angular forms, mostly squares with rounded corners. The overall effect was one of a chessboard in soft, muted tones. |